When I first met Ebonie Randle, she was tending to the beehive in one of the handful of lots that make up Shalom & Tranquility Community Garden in the Brooklyn Centre neighborhood. 

To the tune of funk classics from a nearby speaker, Ebonie and her beekeeping student, BreJona Whitlock, delicately cracked open a wooden box containing the hive. Smoke billowed from a silver canister and hung in the air. It’s a calming agent for the bees. 

No honey this year, Ebonie said, but the bees laid hundreds of eggs. That was plenty cause for celebration. 

In the moment, I was struck by the matter-of-fact tenderness Ebonie showed her bees.  

We talked more, and, as it turns out, she had filled out the form for a photowalk with me earlier that day. She told me about her “Super Garden Kidz.” The group of neighborhood kids and teens hang out at the garden for family-style dinners, literacy lessons, Lego club, movie nights and a host of other programs throughout the growing season.

It seemed like a no-brainer: Did I want to explore Brooklyn Centre with Ebonie and the Super Garden Kidz? Yes.

I reached out to the Cleveland Print Room, a local arts and education nonprofit, and they lent me instant cameras to make it happen.

This photowalk was chaos from the jump — but the good kind. We started off with a group of about six, but by the time we turned the corner off Ebonie’s street, we had more or less doubled our numbers. Friends, neighbors and siblings started tagging along once they saw us. 

One of my favorite things about this photowalk is the framework Ebonie came up with. She posed a simple question: “What makes Brooklyn Centre beautiful to you?” She was curious to see the kids’ perspectives on the neighborhood where she’s lived for most of her life. 

They did not disappoint. The kids marched through their neighborhood, a bundle of energy with cameras. Some flocked to the same things — a cat, a mural, a baby in a stroller, a hot dog vendor — like homegrown paparazzi. Others studied the shapes of flowers or the vines on a grand but faded home. 

It’s tempting to lean into the idea that childlike wonder is behind the kids’ breathtaking pictures, but I think it’s something simpler. It’s their honesty. When they saw something they liked, they snapped a picture without overthinking.

Photography is a language. In that way, the Super Garden Kidz’ pictures are stream-of-consciousness. They don’t just describe Brooklyn Centre – they show us what it feels like to be a kid there.

The Cleveland Print Room’s cameras are digital but print out pictures using instant film. The kids didn’t have unlimited pictures like they would on a cell phone. They had to pick their favorites to print. 

The cameras also have about two dozen built-in filters. I didn’t spend too much time teaching camera operation, but they very quickly figured it out on their own. 

One kid, Sam, talkative and curious, started sifting through the filters. He found one that imitated a fisheye lens. Think ‘90s skateboarding video aesthetic. 

The sun hung low as we walked back into the garden. Sam pointed his camera to the sky, aimed at the pink-orange clouds. The filter was like magic. Later, when he looked at the picture, he saw a view of the earth from space.

“It looks like the whole world,” he said.

More information about the pictures

Ebonie and the Super Garden Kidz took all of these pictures on Tuesday, Aug. 5, 2025.

You can see who took each picture, along with some more details about the places and people in them, down below.

Really quick, I want to thank the Cleveland Print Room for lending me cameras to make this photowalk possible. The Cleveland Print Room advances the art and appreciation of the photographic image in all its forms, by providing affordable access to a community darkroom, gallery exhibitions, educational programs and collaborative outreach.

I also want to thank CatchLight and Report for America for supporting my work as Signal Cleveland’s visual journalist. A few years back, they partnered to create a program that places photojournalists in local newsrooms throughout the country. Signal Cleveland and I joined that program in July.

Visual Journalist (he/him)
As Signal Cleveland’s visual journalist, I use photography and video to show the people and places that make up Cleveland’s character. My role is supported by CatchLight and Report for America.