Recently, someone asked me to reflect on what I’ve learned from Signal Cleveland’s photowalk project.

Did the residents and I take pictures of the same things or did we focus on different things? What did that mean?

I think of a photowalk I went on with Jean Paul Hernandez in Clark-Fulton. As we walked down the street he grew up on, he counted the vacant lots. To me, they weren’t especially remarkable. Open fields with overgrown grass. 

Then, Jean Paul recalled all his old neighbors who lived in the homes that used to stand on those lots.

When I wander the city to take pictures, I see everything out-of-context. I think about what a particular scene would mean if it were isolated from its surroundings in a picture. The folks who’ve taken me on these photowalks are looking at the same things, but they see them through their own personal connection to the places and people. 

In a grassy field outside Michael J. Zone Rec Center, Makela Hayford sees an intangible sense of community she found after moving across town to Gordon Square. 

Vaiva Neary sees Cleveland’s tenacity represented in a tree clinging onto the eroding Lake Erie shore in North Collinwood, digging its roots in deeper with each winter squall that tears at its branches.

I might have walked past those things if I were on my own, but they helped me see something more in them. 

When I hand people cameras for a photowalk, they often end up photographing memories and hopes. It’s not that they’re documenting their neighborhoods, they’re pulling us into how they experience them.

That became especially clear to me after my photowalks in Clark-Fulton and North Collinwood. I went on two photowalks, guided by different people, in each of those neighborhoods. In Clark-Fulton, I even stopped by some of the same spots in both photowalks.

But the pictures couldn’t be more different. 

When I thought about putting together a wrap-up essay about these first seven photowalks, I knew I didn’t want to group the pictures by neighborhood. You’ve already seen that. I’m more curious about what these pictures can tell us when they’re all mixed together. 

What connections can we make between pictures of different neighborhoods? What contrasts can we see in pictures of the same neighborhoods?

If these pictures are all little glimpses into personal experiences of different parts of Cleveland, then placed next to each other, they become like a poem, each line written by a different author. We get a more nuanced look at the city this way. 

I think of André Dailey’s picture of a group of friends hanging out in the shade outside an apartment building in North Collinwood. There’s an almost ethereal beam of light coming through the trees, but to André, the picture is bittersweet. He used to run into the same group at a nearby McDonald’s, chatting for hours over coffee, before it was torn down. Yet another example of residents losing a gathering space in the neighborhood and being forced to adapt, he said. 

Many of these pictures are like that: beautiful from one perspective, but more complicated from another. 

That’s my favorite part about this project. We end up with a story that doesn’t tell us what to believe or how to feel. It’s more ambiguous, giving each of us space to bring our own experiences and draw our own conclusions about what it’s like to live here.

These aren’t the kind of pictures I’d normally take as a journalist. That’s their strength. Their unfiltered honesty makes them more real than any picture I would have taken on my own. 

Of course, this is far from a complete picture of Cleveland, and this project is just getting started. I’m curious to see what comes from visiting more neighborhoods.

If you want to invite me to take photos in your part of Cleveland, sign up for a photowalk by filling out the form here.

More information about the pictures

You can see who took each picture, along with some more details about the places and people in them, down below.

Thanks to CatchLight and Report for America for supporting my work as Signal Cleveland’s visual journalist. A few years back, they partnered to create a program that places photojournalists in local newsrooms throughout the country. Signal Cleveland and I joined that program this year.

Visual Journalist (he/him)
As Signal Cleveland’s visual journalist, I use photography and video to show the people and places that make up Cleveland’s character. My role is supported by CatchLight and Report for America.